On 21st March (or 31st, depending on whether you choose to read the Julian or Gregorian calendar) 1685, Johann Sebastian Bach was born. Bach is more than a historical icon – for many musicians, his works formed the early structure of our musical education. His melodies crop up in day-to-day life, through speakers in the tube stations late at night, threaded into film scores, or sitting comfortably under the action in TV adverts. For many musicians, Bach’s music continues to unfold in new ways, inspiring and guiding their practice throughout their lives.
In 2020, as the world shut down in the height of the pandemic, the world of live music fell silent. Spitalfields Music Festival, like much of the world, went into hibernation. A turbulent time for all of us, it also carved out a rare space in the world of music. Composers and performers were given a particular kind of space they don’t usually get – space for intentional listening, for contemplating, and for some, an unusual time away from their instruments. Countless music fans found themselves gravitating back to Bach in this time, rediscovering one of the best-known composers in history.
In 2021, as the world was cautiously unlocking, we embarked on the filming of Bach Rework’d. The film captures the premiere performances of four newly commissioned works by the composers Zoe Martlew, Joe Cutler, Howard Skempton, and Philip Herbert. Each composer selected one of Bach’s works, using it as a springboard to create a fresh, personal reflection. Produced by Matt Belcher, the film is a portrait of four composers’ relationship with the Master of Counterpoint, and with their own instruments.
On the 340th anniversary of J.S. Bach’s birth and the 5th anniversary of lockdown, it feels fitting to reflect on the enduring resonance of Bach’s music, and to share these incredible performances once again.
Works performed:
Zoë Martlew – G-lude, in response to
Bach – Cello Suite No. 1 in G major: Prelude
Joe Cutler – Ghost Chorales, in response to
Bach – Violin Partita No. 2 in D minor: Gigue
Howard Skempton – Borrow, in response to
Bach – Violin Partita No. 3 in E major: Bouree
Philip Herbert – From the embers of silence, in response to
Bach – Organ Sonata No. 4 in E Minor: Andante [Adagio] [transcribed August Stradal for piano]